David Carrier, SHIRLEY KANEDA & ROBERT MANGOLD, Artcritical, May 2014

Pepe Karmel, THE GOLDEN AGE OF ABSTRACTION, ARTnews, April, 2013

Lilly Wei, CONCEPTUAL ABSTRACTION, Art in America, Feb. 2013

Pepe Karmel, CONCEPTUAL ABSTRACTION, catalogue essay, Nov. 2012

Laura Cumming, UNDERWATER, The Observer, April 3rd, 2010

Angela Kingston, UNDERWATER, catalogue essay,Towner, Devonshire Park, Eastbourne, UK, 2010

Richard Jinman, "Shirley Kaneda at Annandale Galleries" THE SYDNEY MORNING HERALD MAGAZINE,  Issue #66

Bill Gregory, catalogue essay Annandale Galleries, Sidney, Australia, 2008

Michael Amy, ART IN AMERICA, "Shirley Kaneda at Danese Gallery" May, 2008

Joe Fyfe, ART CRITICAL, "Shirley Kaneda at Danese Gallery" Oct. 2008

THE NEW YORKER, "Shirley Kaneda at Danese Gallery" Oct. 22, 2008

Sherman Sam, catalogue essay, Bernard Jacobson Gallery 2006

Mathew Biro, CONTEMPORARY, "Shirley Kaneda, Fluid Transitions" #81, 2006

Dan Tranberg, ART ON PAPER, "Striking Cords, Shirley Kaneda’s Works on Paper"Sept./Oct., 2005 Vol. 10 No.1

James Engelman, NEW YORK ARTS, "Improv at the Photoshop" March/April 2005

Paulette Roberts-Pullen, STYLE WEEKLY, "Purely Pleasing: Shirley Kaneda at Reynolds Gallery" Nov. 2004

Jeremy Gilbert-Rolfe, ARTUS, "First Degree, The Place of Aesthetic in Postmodernism: Part II" Jan./Feb. 2004
Raphael Rubinstein, ART IN AMERICA,"8 Painters: New Work" Nov. 2003

Devin Golden, ART CRITICAL,"The Raw and the Cooked" 2003 

Elizabeth Kley, ART NEWS, "Shirley Kaneda and Imaging the Abstract" Summer 2003

David Ryan, CONTEMPORARY, "Thinking in the Abstract"Feb. 2002

David Ryan,TALKING PAINTING, "Dialogues with Twelve Contemporary Abstract Painters",Routledge, London, UK, 2002

Nancy Princenthal, ART IN AMERICA, "Shirley Kaneda at Feigen Contemporary"Sept. 2001
Brendan Fletcher, CONTEMPORARY VISUAL ARTS, "Warped: Painting and the Feminine" #34
Grace Glueck, THE NEW YORK TIMES, "Shirley Kaneda at Feigen Contemporary" March 2, 2001, Art in Review

Lily Wei, ART NEWS, "Shirley Kaneda at Feigen Contemporary" March 2001

THE NEW YORKER, "Goings on About Town: Shirley Kaneda at Feigen Contemporary" Feb. 12, 2001

Martha Schwendener, TIME OUT, "Shirley Kaneda" Feb. 22nd   

Mario Naves, THE NEW YORK OBSERVER, "Two Painters Named Shirley" Feb. 12, 2001

Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime, pp.58-67, Allworth Press, 2000 

David Ryan, LONDONART.CO.UK MAGAZINE "Shirley Kaneda at Galerie Fernand Leger, Centre d'Art d'Ivry" March, 2000

Catherine Perret, Thought in Painting catalogue essay for "Shirley Kaneda, Peintures 1998-99" Centre d'Art d'Ivry, 2000

David Ryan, CONTEMPORARY VISUAL ART, "Indeterminate Relations" June, 1999
Jonathan Goodman, ART IN AMERICA, "Shirley Kaneda at Feigen Contemporary" May, 1999

David Carrier, Interview with Shirley Kaneda, catalogue for "Shirley Kaneda" Feigen Contemporary, 1998

Michael Darling, catalogue essay, "Shirley Kaneda: Discursive Decoration" 1998

Ken Johnson, THE NEW YORK TIMES, "Bermuda Shorts and Argyle Socks" Oct. 16, 1998

Faye Hirsch, ON PAPER, "Shirley Kaneda"  Mar.-Apr. 1998, Vol.2 #4

Michael Darling,  ART ISSUES, "Shirley Kaneda at Claremont Graduate Univ." Nov./Dec. 1997

Marina Walker,  SANTA BARBARA NEWS PRESS, review:"Sick of Photography: A Painting Show" curated by M. Darling, Jan. 23,1998

Jeanne Wilkinson, REVIEW "Shirley Kaneda at Jack Shainman Gallery" Feb. 1997

Andrew Benjamin,  What Is Abstraction?  pp48-9, 62-3 Academy Editions, London, Great Britain 1996
Kelly Spalding, ARTSMEDIA, "Face to Face: Recent Abstract Painting" June, 1996
Christine Temin, THE BOSTON GLOBE, "The Clash of the Abstracts" May 7, 1996
Shawn Hill, THE TAB, "Driven to Abstraction" April 23-29, 1996
Mary Sherman, BOSTONSUNDAY HERALD, "Meet abstract art 'Face to Face'" April 28, 1996
Angela Madesani, la REPUBLICA, "Primitivo o gestuale il puzzle di Shirley Kaneda" April 9, 1996
Lorella Giudici, JULIET, April/May, 1996
Sabina Spada,TEMA CELESTE, "Shirley Kaneda, Galleria Raffaella Cortese" N. 56 1996
Alessandra Mingotti, ARTE, "Shirley Kaneda borderline tra astrazione e psichedelia" March 1996

Giorgio Vigano, ATTICO ARTE, "Shirley Kaneda: Systemic Inconsistencies" January 31, 1996
Pepe Karmel, THE NEW YORK TIMES, "Color: Sign, System & Sensibility" July 17, 1995
Faye Hirsch, ART IN AMERICA,  "Shirley Kaneda at Jack Shainman Gallery" April 1995
David Clarkson, BOMB "Shirley Kaneda" Spring, 1995
RobertMorgan, COVER, Jan. 1995
Jerry Saltz, ART IN AMERICA, "A Year in the Life: Tropic of Painting" Oct. 1994

Diane Jean Schmo, THE NEW YORK TIMES, "Shirley Kaneda" 1994  
George Melrod, ART & AUCTION "Openings" Nov. 1994

David Clarkson, BOMB, "Shirley Kaneda" 1993
Robert Morgan, COVER,"Discursive Notes" Dec.1992                        

David Pagel, TEMA CELESTE, "Shirley Kaneda, A Conversation with David Pagel" Summer, 1992

Terry R. Myers, QW, "Stimulating Distortions, Shirley Kaneda's Brutal Abstractions" Oct. 1992
Gerrit Henry, Review of "Assembly, A Group Exhibition at Jack Shainman, ARTNEWS, Nov. 1992
Demetrio Paparoni, "The Void Each Time" catalogue essay 1992
Christina Perrella, TEMA CELESTE, Review of "The Void Each Time" Autumn, 1992                        
W.S. Wilson, ARTSPACE, "Abstract Painting on a Manhattan Ice Floe II" July/August 1992
David Carrier, ARTS, "Afterlight-Exhibiting Abstract Painting in the Era of its Belatedness" March 1992
Marjorie Wellish, TEMA CELESTE, "Abstraction, Advocacy Of" Jan./Mar. 1992
Jerry Saltz, Catalogue Essay, "In Full Effect" 1991
David Pagel, ARTSPACE, "The Ends of Painting; The Edges of Abstraction" Jan. 1991
Kay Larson, NEW YORK MAGAZINE, "Review of "Conceptual Abstraction" Dec. 1991
Saul Ostrow, TEMACELESTE, "Strategies for a New Abstraction"Sept./Dec. 1991
Susan Kandel, ARTS, "L.A. in Review" Dec. 1990
Peter Frank, LA WEEKLY, "Pick of the Week" Oct. 1990



"Contemporary Feminism: Art Practice, Theory, and Activism-An Intergenerational Perspective edited by Mira Schor, Art Journal, 1999

"Pitfalls", catalogue essay for "After the Fall: Aspects of Abstract Painting Since 1970", Snug Harbor CulturalCenter, 1997

"Risking the Decorative and the Practice of Abstraction",Rue Descartes, Univ. International College of Philosophy, Univ. of Paris X, 1995

"Abstract Painting: Setting the Terms", catalogue essay for RE:FAB Painting, Abstracted, Fabricated, and Revised, 1995

"Painting and Its Others, The Feminine in Abstract Painting", ARTS MAGAZINE, summer 1991



2011 CAA Panel: Abstract at 100, 2011

2000 "Models Without Models: Reconstructing the Abstract" The New Painters, Manchester Metropolitan University, TATE Liverpool

2005 "The Digital in Art", Cleveland Institute of Art

1996 "The Practice of Abstraction", Thaddeus Ropac Gallery & College International de Philosophie, Paris, France



Juan Usle, Bomb 2014

Charline Von Heyl, 2010

Rona Pondick, 2009

Shirley Jaffee, 2004

Robert Mangold, 2001

Fiona Rae, 1994

Saint Clair Cemin, 1994

Mira Schor, 1993

Valerie Jaudon, 1992

Fabian Marcaccio, 1992

Philip Taaffe, 1991

Jonathan Lasker, 1990



Karin Weisman, BOMB, Spring, 2004

Diana Cooper, BOMB, Spring, 2003

Ivelisse Jiminez, BOMB, Spring, 2002

Jim Lambie, BOMB, Spring, 2000

James Siena, BOMB, Spring, 1999

Adam Ross, BOMB, Winter, 1998

Jim Butler, BOMB, Spring 1997

Roland Flexner, BOMB, Fall 1996

Mark Schlesinger, LAPIZ, Winter 1992

Painting Alone, ARTS, Dec. 1990

Robert Mangold, ARTS Oct. 1990

Ralph Humphrey, ARTS Summer 1990

Alan Uglow, ARTS, March 1989