Reviews on Shirley Kaneda
Angela Kingston, UNDERWATER, catalogue essay,Towner, Devonshire Park, Eastbourne, UK, 2010
Richard Jinman, "Shirley Kaneda at Annandale Galleries" THE SYDNEY MORNING HERALD MAGAZINE, Issue #66
Bill Gregory, catalogue essay Annandale Galleries, Sidney, Australia, 2008
Michael Amy, ART IN AMERICA, "Shirley Kaneda at Danese Gallery" May, 2008
Joe Fyfe, ART CRITICAL, "Shirley Kaneda at Danese Gallery" Oct. 2008
THE NEW YORKER, "Shirley Kaneda at Danese Gallery" Oct. 22, 2008
Sherman Sam, catalogue essay, Bernard Jacobson Gallery 2006
Mathew Biro, CONTEMPORARY, "Shirley Kaneda, Fluid Transitions" #81, 2006
Dan Tranberg, ART ON PAPER, "Striking Cords, Shirley Kaneda’s Works on Paper"Sept./Oct., 2005 Vol. 10 No.1
James Engelman, NEW YORK ARTS, "Improv at the Photoshop" March/April 2005
Jeremy Gilbert-Rolfe, ARTUS, "First Degree, The Place of Aesthetic in Postmodernism: Part II" Jan./Feb. 2004
Raphael Rubinstein, ART IN AMERICA,"8 Painters: New Work" Nov. 2003
Devin Golden, ART CRITICAL,"The Raw and the Cooked" 2003
Elizabeth Kley, ART NEWS, "Shirley Kaneda and Imaging the Abstract" Summer 2003
David Ryan, CONTEMPORARY, "Thinking in the Abstract"Feb. 2002
David Ryan,TALKING PAINTING, "Dialogues with Twelve Contemporary Abstract Painters",Routledge, London, UK, 2002
Nancy Princenthal, ART IN AMERICA, "Shirley Kaneda at Feigen Contemporary"Sept. 2001
Brendan Fletcher, CONTEMPORARY VISUAL ARTS, "Warped: Painting and the Feminine" #34
Grace Glueck, THE NEW YORK TIMES, "Shirley Kaneda at Feigen Contemporary" March 2, 2001, Art in Review
Lily Wei, ART NEWS, "Shirley Kaneda at Feigen Contemporary" March 2001
THE NEW YORKER, "Goings on About Town: Shirley Kaneda at Feigen Contemporary" Feb. 12, 2001
Martha Schwendener, TIME OUT, "Shirley Kaneda" Feb. 22nd
Mario Naves, THE NEW YORK OBSERVER, "Two Painters Named Shirley" Feb. 12, 2001
Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime, pp.58-67, Allworth Press, 2000
David Ryan, LONDONART.CO.UK MAGAZINE "Shirley Kaneda at Galerie Fernand Leger, Centre d'Art d'Ivry" March, 2000
Catherine Perret, Thought in Painting catalogue essay for "Shirley Kaneda, Peintures 1998-99" Centre d'Art d'Ivry, 2000
David Ryan, CONTEMPORARY VISUAL ART, "Indeterminate Relations" June, 1999
Jonathan Goodman, ART IN AMERICA, "Shirley Kaneda at Feigen Contemporary" May, 1999
David Carrier, Interview with Shirley Kaneda, catalogue for "Shirley Kaneda" Feigen Contemporary, 1998
Michael Darling, catalogue essay, "Shirley Kaneda: Discursive Decoration" 1998
Ken Johnson, THE NEW YORK TIMES, "Bermuda Shorts and Argyle Socks" Oct. 16, 1998
Faye Hirsch, ON PAPER, "Shirley Kaneda" Mar.-Apr. 1998, Vol.2 #4
Michael Darling, ART ISSUES, "Shirley Kaneda at Claremont Graduate Univ." Nov./Dec. 1997
Marina Walker, SANTA BARBARA NEWS PRESS, review:"Sick of Photography: A Painting Show" curated by M. Darling, Jan. 23,1998
Jeanne Wilkinson, REVIEW "Shirley Kaneda at Jack Shainman Gallery" Feb. 1997
Andrew Benjamin, What Is Abstraction? pp48-9, 62-3 Academy Editions, London, Great Britain 1996
Kelly Spalding, ARTSMEDIA, "Face to Face: Recent Abstract Painting" June, 1996
Christine Temin, THE BOSTON GLOBE, "The Clash of the Abstracts" May 7, 1996
Shawn Hill, THE TAB, "Driven to Abstraction" April 23-29, 1996
Mary Sherman, BOSTON SUNDAY HERALD, "Meet abstract art 'Face to Face'" April 28, 1996
Angela Madesani, la REPUBLICA, "Primitivo o gestuale il puzzle di Shirley Kaneda" April 9, 1996
Lorella Giudici, JULIET, April/May, 1996
Sabina Spada,TEMA CELESTE, "Shirley Kaneda, Galleria Raffaella Cortese" N. 56 1996
Alessandra Mingotti, ARTE, "Shirley Kaneda borderline tra astrazione e psichedelia" March 1996
Giorgio Vigano, ATTICO ARTE, "Shirley Kaneda: Systemic Inconsistencies" January 31, 1996
Pepe Karmel, THE NEW YORK TIMES, "Color: Sign, System & Sensibility" July 17, 1995
Faye Hirsch, ART IN AMERICA, "Shirley Kaneda at Jack Shainman Gallery" April 1995
David Clarkson, BOMB "Shirley Kaneda" Spring, 1995
Robert Morgan, COVER, Jan. 1995
Jerry Saltz, ART IN AMERICA, "A Year in the Life: Tropic of Painting" Oct. 1994
Diane Jean Schmo, THE NEW YORK TIMES, "Shirley Kaneda" 1994
George Melrod, ART & AUCTION "Openings" Nov. 1994
David Clarkson, BOMB, "Shirley Kaneda" 1993
Robert Morgan, COVER,"Discursive Notes" Dec.1992
David Pagel, TEMA CELESTE, "Shirley Kaneda, A Conversation with David Pagel" Summer, 1992
Terry R. Myers, QW, "Stimulating Distortions, Shirley Kaneda's Brutal Abstractions" Oct. 1992
Gerrit Henry, Review of "Assembly, A Group Exhibition at Jack Shainman, ARTNEWS, Nov. 1992
Demetrio Paparoni, "The Void Each Time" catalogue essay 1992
Christina Perrella, TEMA CELESTE, Review of "The Void Each Time" Autumn, 1992
W.S. Wilson, ARTSPACE, "Abstract Painting on a Manhattan Ice Floe II" July/August 1992
David Carrier, ARTS, "Afterlight-Exhibiting Abstract Painting in the Era of its Belatedness" March 1992
Marjorie Wellish, TEMA CELESTE, "Abstraction, Advocacy Of" Jan./Mar. 1992
Jerry Saltz, Catalogue Essay, "In Full Effect" 1991
David Pagel, ARTSPACE, "The Ends of Painting; The Edges of Abstraction" Jan. 1991
Kay Larson, NEW YORK MAGAZINE, "Review of "Conceptual Abstraction" Dec. 1991
Saul Ostrow, TEMA CELESTE, "Strategies for a New Abstraction"Sept./Dec. 1991
Susan Kandel, ARTS, "L.A. in Review" Dec. 1990
Peter Frank, LA WEEKLY, "Pick of the Week" Oct. 1990
Articles written by Shirley Kaneda:
"Contemporary Feminism: Art Practice, Theory, and Activism-An Intergenerational Perspective edited by Mira Schor, Art Journal, 1999
"Pitfalls", catalogue essay for "After the Fall: Aspects of Abstract Painting Since 1970", Snug Harbor CulturalCenter, 1997
"Risking the Decorative and the Practice of Abstraction",Rue Descartes, Univ. International College of Philosophy, Univ. of Paris X, 1995
"Abstract Painting: Setting the Terms", catalogue essay for RE:FAB Painting, Abstracted, Fabricated, and Revised, 1995
"Painting and Its Others, The Feminine in Abstract Painting", ARTS MAGAZINE, summer 1991
Lectures and Conferences:
2011 CAA Panel: Abstract at 100, 2011
2000 "Models Without Models: Reconstructing the Abstract" The New Painters, Manchester Metropolitan University, TATE Liverpool
2005 "The Digital in Art", Cleveland Institute of Art
1996 "The Practice of Abstraction", Thaddeus Ropac Gallery & College International de Philosophie, Paris, France
Interviews for Bomb Magizine:
Mira Shor, 1993
Reviews by Shirley Kaneda:
Karin Weisman, BOMB, Spring, 2004
Diana Cooper, BOMB, Spring, 2003
Ivelisse Jiminez, BOMB, Spring, 2002
Jim Lambie, BOMB, Spring, 2000
James Siena, BOMB, Spring, 1999
Adam Ross, BOMB, Winter, 1998
Jim Butler, BOMB, Spring 1997
Roland Flexner, BOMB, Fall 1996
Mark Schlesinger, LAPIZ, Winter 1992
Painting Alone, ARTS, Dec. 1990
Robert Mangold, ARTS Oct. 1990
Ralph Humphrey, ARTS Summer 1990
Alan Uglow, ARTS, March 1989